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Especially in the part with Franz and Albert in Rome, I had no idea what was going on, but it was fun to go with the flow and watch how things slowly unfold. It also added to the mystery, and personally, the way revenge was executed was, for the most part, a surprise – I didn’t feel the story was predictable at all. But it was whimsically fantastical, and over the course of the story I just got used to it. How was he sure she would do it? Did he have a backup plan in case that didn’t work? We were never given many details as to his plan (even though the book is 1200+ pages long), and sometimes that made the whole thing far too contrived and improbably perfect to be real. For example him meeting Madame du Villefort years before and finding out she is interested in chemistry and the like, learning that she wants an inheritance for her son, and just assuming that given the chance, she would poison anyone who stands in her way. Knowing exactly when and how the dapple-greys would go crazy, predicting so impossibly accurately how people react… always.
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His plan had way too many uncertainties and risks to be executed so flawlessly. I can’t give this book credit for being realistic, because, let’s be honest, the reach and extent of the count’s influence was just ridiculous. While there, he inherits an enormous treasure from a scholarly abbé (oh, and he is taught the entirety of human knowledge), flees the prison and seeks out revenge. So, we all know the basic premise: a promising young man is betrayed by his rivals and locked up in a prison.